Antichrist



Plunging headfirst into a realm of depraved evil, leaving behind him any and all polite norms of filmmaking (mainstream, independent or otherwise), Lars von Trier has unleashed his most audacious creation to date, which has been branded everything from “misogynistic” (according the Cannes` Ecumenical Jury, who awarded it a special “Anti-Prize”) to an elaborate joke on von Trier`s part. Make no mistake, however: Antichrist is deadly serious, both in intent and result. To consider it anything less than that – whether you find yourself disgusted or enthralled – is to misread both the film and von Trier`s intentions.


REC2



[REC]2 delivers the same nonstop thrills but adds on a new spin to the tale, taking cues from Aliens and The Exorcist with a subplot about demonic possession. This is far from your cut and dry sequel. It has enough invention and wit to keep fans happy; it’s a non stop adrenaline pumping terror ride into hell. Much like [REC], the sequel blends a clever mutation of horror standards seen in everything from Romero’s films to Outbreak to The Blair Witch Project